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Focal Press. ISBN Las Vegas: Sony Creative Software. Archived from the original on 2 June Review Pitt, Ben 21 June PC Pro. Archived from the original on 11 February Stafford, Alan 2 December Archived from the original on 1 October Holland, Brent February Videomaker Magazine.

Pitt, Ben 10 December Dennis Publishing. Archived from the original on 27 November Digital Music Reviews Blog. Archived from the original on 15 May Retrieved 16 July Fisher, Jeffrey P.

Digital Video Editing. Archived from the original on 4 March Harris, Corey 18 October Archived from the original on 18 March Pors, Aleco 29 July Archived from the original on 9 August Comparison List.

Audio editing software. Comparison of digital audio editors Comparison of free software for audio List of music software List of Linux audio software Comparison of MIDI editors and sequencers. Comparison Category. Categories : Video editing software Magix software Windows-only software.

Hidden categories: Articles with short description Short description is different from Wikidata Use dmy dates from July Articles lacking in-text citations from September All articles lacking in-text citations Articles needing additional references from February All articles needing additional references Articles with a promotional tone from December All articles with a promotional tone Articles with multiple maintenance issues Articles to be expanded from July All articles to be expanded Articles with empty sections from July All articles with empty sections Articles using small message boxes All articles with unsourced statements Articles with unsourced statements from June Namespaces Article Talk.

Views Read Edit View history. Help Learn to edit Community portal Recent changes Upload file. Ability to multitask and implement multiple projects. Remain calm and solutions-focussed in a fast-paced environment. Understanding of different media platforms including online, social media, radio, tv, print and how audiences engage with them.

Confidence to share and present creative concepts to stakeholders internally and externally, and to manage all aspects of approvals and feedback.

Self-motivated with the desire to execute every job to the highest standard. Excellent written and verbal communication skills. An ability to work collaboratively and communicate effectively with people from a wide variety of backgrounds and departments. Be open to constructive feedback and willing to offer it to others to deliver the best results. Understanding how to champion the SBS Brand, while partnering with commercial brands that align with them. Permalink: Mid-weight Creative.

Shanahan Management Surry Hills , Sydney. This role is full time 9am – 6pm and based in Surry Hills, Sydney. They are looking for someone for an immediate start. They are looking for someone with some experience in the industry who has strong admin skills, good time management and a confident phone manner. Unfortunately, it is a conflict of interest for actors to apply for this position. Please send CVs to [email protected] with a cover letter introducing yourself.

Permalink: Agent Assistant. Beyond Productions Artarmon , Sydney. Filming in the Greater Sydney area. Responsibilities include scouting and location coordination during the shoot. Please send CVs to [email protected]. Permalink: Locations Coordinator. Must have an in-depth knowledge of: Pro Tools Mixing and editing skills General knowledge of the Post Production process are ideal Any computer networking skills are a big plus.

The initial contract term is for 6 months from October. Permalink: Post Sound Assistant. Apply now to become part of our dynamic team and manage publicity for our hugely successful brand Bluey!

Working for BBC Studios, we are all part of a premium content and production company that inspires global audiences. We are proud to represent some of the world’s biggest, most trusted and loved content brands. In Australia and New Zealand, we bring the best of bold, British storytelling to our region through distributing content to broadcasters, our seven branded services on subscription platforms and our own local production arm, as well as other commercial partnerships such as live entertainment and licensing.

We’re passionate about content. We invest in it, commercialise it and create it. About You: We are looking for someone with: Proven experience of media relations, particularly on consumer PR campaigns Excellent news sense with ability to write, clear and lively copy, which stimulates media interest.

Highly effective interpersonal and communications skills spoken and written with the ability to build relationships with a wide range of contacts at different levels. Excellent planning and organisational skills, attention to detail, and the ability to prioritise. Excellent creativity and idea-generation Digitally savvy Ability to work calmly under pressure Motivated and proactive personality Ability to work effectively in a team and lead on projects.

A passion for television and British content. Hybrid working is offered for this role. For the right candidate, we are open to a shorter working week with workload adjustments. Your Role: Based in Sydney and part of the Asia Pacific Communications team, this role has responsibility for managing publicity for our hugely successful Bluey brand in the Australia and New Zealand region, as well as supporting internal communications.

Your key accountabilities include: Lead and take full responsibility for ANZ Bluey brand and licensing PR campaigns, liaising with the local broadcaster and commercial partners, working with the UK-based Global Comms lead for Bluey and the ANZ marketing, licensing and live events teams. Prepare briefing documents for Ludo, coordinate logistics and support the production talent through interviews in this region. Anticipate and manage issues that originate in the region, handling reactive issues as required and advising on social media response.

Work with ANZ Marketing team to generate creative marcomms ideas to keep the brand front of mind and to support commercial growth. We would love to know your motivation, experiences and competences for this role so please share a Cover letter along with your Resume.

Applications for this position close: pm Friday 12th August We have a working environment where we value and respect every individual’s unique contribution, enabling all of our employees to thrive and achieve their full potential. The more diverse our workforce, the better able we are to elevate the voices and truths of modern life to resonate with audiences. We will consider flexible working requests for all roles, unless operational requirements prevent otherwise.

We are committed to improving accessibility in our recruitment and selection processes at BBC Studios. If you would like to make a request for support or reasonable adjustments to complete your application, please email us at [email protected] , and we will be in touch with you as soon as possible. Permalink: Communications Executive. Beyond Productions is a dynamic and progressive global television production company. Ideally, the successful candidate will enjoy responsibility and thrive on remaining calm and organised in a dynamic office with creative personalities.

The role would suit someone from within the Film and Television industry or who has at least two years experience working in Project or Cost Accounting. Competent Excel skills are a requirement of this position. Permalink: Production Accountant. Prospero Productions Fremantle , Perth. The Role: Prospero Productions Pty Ltd is looking for a highly experienced and motivated Series Producer for an upcoming character-driven observational documentary series.

This is a full-time role based in Fremantle, Western Australia. The Company: Prospero Productions is one of Australia’s leading independent documentary production companies. We have made quality, multi-award-winning documentaries and documentary series for over 30 years.

The Prospero signature is strong narrative-driven documentaries that appeal to a wide range of viewers. Key Responsibilities: The ideal candidate will have extensive knowledge of factual programming and the ability to craft formatted content. Previous similar broadcast credits are essential.

The Candidate: Working closely and collaboratively with field directors and story producers, you will be responsible for the overall editorial direction of the series and see production through to network delivery, in accordance with production budget and schedules. You will need experience managing sizeable production teams.

You will oversee post-production and will need to have a demonstrated ability to work across multiple edit suites at once — shaping the series, providing direction, feedback and narration scripts.

This role involves close collaboration with stakeholders and the Executive Producers, both internally and externally. Salary: Negotiable subject to the experience of successful candidate.

Only experienced Series Producers need apply. Permalink: Series Producer. Australian Broadcasting Corporation Ultimo , Sydney. You will play a formative role in developing and delivering launch plans for new programs of every genre to the marketplace, and will work with international TV and streaming clients during and after the sales process to maximise exposure for licensed programs.

The ABC has a vaccination policy that requires employees to meet vaccination requirements for those working in some high-risk environments or circumstances. Some roles will require adherence to this policy as an inherent requirement of performing the role. Applications Close: pm, Sunday 14 August Working across video, digital and social, you will be responsible for managing the production of video briefs across our key accounts.

Working across video, digital and social, the successful candidate will be responsible for managing video delivery from pre-production to post-production for a key client. They will have an innovative and creative approach to video paired with excellent project management skills to ensure all videos are managed and delivered on time and to budget, delivering results for our clients.

This will also be achieved by building strong relationships with key internal stakeholders, as well as external agencies, clients and suppliers. They will be a part of the video production team, joining like-minded creatives to deliver best-in-class content.

Who are you? Supportive and friendly environment. We encourage innovation, collaboration and creative thinking. Fun, fast-paced and excellent opportunities to work with a variety of well-known brands. On-site gym and wellbeing centre Opportunity to innovate, challenge the norm and pioneer the way forward Employee discount with multiple brands including Audi, Qantas, Apple, Samsung etc Work with some of Australia’s most recognised and prestigious brands Who are we?

Each month more than 17 million Australians choose to consume news and information from our digital and print products – more than any other media group in Australia. Permalink: Video Production Manager. Pixel Zoo North Lakes , Brisbane. Pixel Zoo Animation are currently on the lookout for lighting and compositing artists to join the team! Come join the friendly crew at Queensland’s biggest full-service animation studio producing content for the worlds most high-profile and influential kids brands Lego, LOL!

Surprise, Rainbow High to name just a few. Not only do we have some amazing new projects coming up movies, netflix series, music videos , we also have regular Smash Brothers tournaments, lots of chocolate and plenty of doggy cuddles with the office puppies! Essential skills: – Experience in a production pipeline – Experience lighting and rendering shots within Maya using render engines such as Redshift, Arnold or VRay Redshift preferred – Experience in Adobe After Effects and Premiere Bonus points for: – Experience working on animation series production.

We really love to have the team together at our North Lakes office, but that is not a necessity. We will consider remote options for the right candidates. If you believe you are a good fit for us and we are a good fit for you, we’d love to hear from you! We hope to hear from you soon! WildBear Entertainment Canberra. WildBear Entertainment is looking for a Offline Editor for a fixed term contract starting in August The ideal candidate will possess great communication skills, a demonstrated commitment to excellence, strong attention to detail, technical proficiency and be eager to join a fast paced and dynamic creative team.

Working as part of our post-production team either remotely, or based out of our Canberra CBD office, you will be creating long form factual content for the global television market. We are interested in hearing from candidates of all experience levels, please send your CV and cover letter, with the subject line referencing “EOI – Offline Editor” to [email protected]. Permalink: Offline Editor. Mandylights Leichhardt , New South Wales.

Mandylights creates outstanding lighting, visual and production designs for touring concert, special event, broadcast, architectural and corporate markets.

We are a dedicated team of designers, programmers, production managers and builders of stages, lighting, video and entire productions. We were the first – and remain the largest – entertainment design firm in Australia. Mandylights operates in Australia and the UK on projects in every corner of the world meaning domestic and international travel and career progression opportunities are potentially available.

Mandylights is currently recruiting for a Production Coordinator to join our busy team located in Leichhardt, Sydney. The Production coordinator will identify efficiencies and shortfalls in resource allocation and work with the business to resolve any potential issues. General Responsibilities include, but are not limited to: Proactively work with project leads and management to identify crewing and resource needs for each project Identify and allocate full time, casual and contract staff to projects and shifts as required, along with negotiating rates for freelance casuals Build and maintain excellent relationship with our network freelance talent, onboard all new casuals, as well as manage their shifts and approve timesheets for payroll Identify creative and new avenues for attracting and retaining freelance talent Arrange and book resources to support projects such as plant equipment, truck transport, hotels, flights, etc Work closely with our UK-based Production Coordinator to find efficiencies with crewing.

Previous experience in an entertainment production environment such as theatre, live events, etc and a tertiary qualification in a related field would be ideal – however if you have extensive experience in a fast paced, dynamic environment and enjoy the company of creative types, then please still apply. We are seeking a passionate individual who works hard and has some fun along the way.

Mandylights prides itself on its diversity within the workplace and encourages people of all backgrounds, genders and sexualities to apply. If you think this is the perfect role for you or know someone who is , please reach out to [email protected].

Permalink: Production Coordinator. Beyond Productions is searching for a Sydney based Production Coordinator for a true crime documentary series. Experience with overseas filming, recreations and post production an advantage. Dates: Start 8th or 14th of August to February Please email a cover letter, CV and availability to [email protected]. Academic Use. If the software is designated or specially-priced as an “Academic” or “Education” version, it is licensed only for educational, non-commercial use by students, faculty, and staff of an educational institution.

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Some Avid software uses Google Analytics for the collection of anonymous data for the foregoing purposes. Once students choose their main story idea, they will pitch, plot, outline the story and create a show bible. In the last week of the program students will write the teaser and first act of their teleplay. Elements of Dramatic Narrative For Television This narrative theory course introduces students to paradigms, processes and tools to help create their teleplay.

Specifically, the course exposes students to a variety of television genres as a foundation to build competency when writing either the half hour sit-com or the one hour drama. Students will attend screenings and lectures, complete quizzes, participate in extensive class discussions, and engage in writing exercises to assist in the creation of the story pitch, outline and show bible. Also see our week online screenwriting programs. Students will learn the basic building blocks of story – structure, character, dialog, and industry-standard formatting.

They will use these tools to develop an original idea for a feature film into a detailed outline. The program focuses primarily on the basic tools writers need to develop their stories. Students will have written script pages practice scenes for the Elements of Screenwriting portion of the program. It also teaches specific skills like dialogue, subtext, exposition, elements of a scene, character arcs, and theme.

Students will write practice scenes and discuss storytelling and the basic and in depth tools of feature screenwriting. Feature Workshop This class is a workshop, for developing story ideas, and turning them into feature screenplay ideas. Students will bring in multiple ideas, workshop them with classmates under the guidance of their instructor until they pick an idea to plot as a feature screenplay. Then they will plot that idea in detail, figuring out the broad structure before focusing in on the plotting details and eventually generating a treatment and a beat sheet for a ready to write feature screenplay.

To view schedules, click here. This workshop offers an intensive hands-on curriculum, developed in collaboration with award-winning broadcast, cable and online journalists. Through both study and hands-on practice, students are trained in the fundamental principles, techniques and craft of digital journalism.

They also come to understand the impact digital and cross-platform distribution is having on traditional journalism.

During teacher-supervised Production Workshops, the process of producing, shooting, interviewing and sound recording for news projects is put into practice prior to going out into the field. Visual storytelling is an essential aspect of digital journalism. Students develop their storytelling skills through a combination of lecture, demonstration, in-class exercises and the students’ own work. Students spend significant time, both inside and outside of class hours, creating their projects.

In other words, learning takes place through the production of actual news stories and projects. While the content of news stories and programs may differ dramatically, all incorporate certain common elements. Students will create projects based on these elements. A VO Voiceover uses video, the natural sound associated with that video and graphic materials to tell a story.

The video rolls over the studio anchor or a reporter speaking, and does not include any on-camera comments. The completed project will run approximately 30 seconds. The News Package is the fundamental building block of all news programing. Potentially it also includes a reporter stand-up. Each student researches, produces, writes, shoots and edits a short video news package that is approximately seconds in length.

Some students will opt to do hard news reports, while others will choose to do feature stories. For the Interview Profile, the student produces and edits a single camera interview of three to four minutes.

There is only minimal use of reporter VO copy. The project incorporates original footage, along with available still images and existing footage. Digital Journalism Students learn the principles and foundation of newsgathering and production. Classes are geared towards preparing students for their own productions, developing their ability to work independently in a high-pressure creative environment. Upon completion, students will have an in-depth knowledge of ENG Electronic News Gathering ; broadcast news craft and production; the ability to write and pre-visualize a news story; knowledge of news history, theory and ethics.

Hands-on Camera This class introduces students to the functions, operation, and use of smartphone video cameras. Students train to shoot in the field, enabling them to technically execute single-camera productions. Lighting is a key element. Students will understand, and be able to use, camera menu settings; shoot scenes that are well-composed and properly exposed; know how to shoot sequences and the value of varying focal lengths; be able to shoot one-camera interviews that approximate multi-camera shoots.

Digital Editing In this class, students train using industry standard digital editing software, and are introduced to fundamental editing tools and techniques.

Students are taught to edit non-fiction material, both practically and aesthetically. Students edit their own projects, both independently as well as in supervised classes. Production Workshop Hands-on, workshop classes in which students apply information learned in Digital Journalism and Hands-on Camera to an actual production environment. Students conduct interviews putting into practice their knowledge of shot types, sequence of shots, eye lines, backgrounds and audio.

Instructor and students will make comments, both positive and negative. Class will discuss how the script was structured, and why. Class will analyze if the story had an impact and, overall, made sense. Was the story told well? Class will discuss the writing and use of sound bites.

Was the story fair and balanced? Did it present opposing points of view? Class will discuss camera shots, audio, lighting, tracking.

Class will critique production values. Although a good news package is strong both editorially and technically, the editorial content is the most important. Podcasts delve into all manner of subjects, often in great detail.

They also reflect the changing ways people seek out and use information. While the subject matter of podcasts can differ tremendously, the way they are constructed essentially remains the same. The creative skill set is neutral, like an empty box. You can place into it any content you want. Instructors offer their expertise to help students learn immersive storytelling by creating an actual project.

They gain an understanding of writing for the ear, and using a smartphone to gather interview sound, natural sound and any other audio that will keep listeners engaged. Students will be trained through study and hands-on practice in the fundamental principles of research, reporting, writing and storytelling. In this course, each student learns how to produce a minute podcast story. An understanding of, and an ability to create this type of story help develop an artist’s passion for creating a podcast.

The instructors are media professionals who understand both the editorial, as well as technical aspects, of podcasting. Students will leave with both a newly expanded skill set, as well as the confidence and ability to pursue their passion in the art of creating podcasts.

Prerequisites — No prerequisites are necessary. However, general knowledge of production techniques and storytelling is helpful. Program and Software requirements Working computer with access to the Internet. Students must have word processing software such as Microsoft Word or Apple Pages. Students must download Audacity Audio Editing software. What are the elements of a good podcast?

What are the different types of podcasts? Why are podcasts so popular? Discussion topics include various podcast formats, reporting techniques, digital journalism and more. DAY TWO: Part One – Storytelling that engages Under the guidance of the instructor, students will learn writing for the ear, use of natural sound to help tell a story, working under deadline, and field producing.

What are the elements of a good story? How do you get the information necessary to shoot a podcast? Students will begin thinking about a subject for their podcast and will learn the elements of pitching their idea. Discussion topics include the elements of story, how to conduct interviews that elicit engaging responses and recording audio elements at every location. DAY TWO: Part Two – Recording and editing audio It is essential students understand and develop an expertise with the technical skills of gathering quality audio – Where to place the microphone, checking audio levels, recording natural sound.

Students will also learn how to edit audio in the computer. Discussion topics will include best practices in gathering and recording audio, basics of audio editing software platforms. Students continue to edit audio in the computer. Each student will be responsible for pitching an idea that will include a tagline describing the story and a list of who will be interviewed for the story. They report in on their progress, as well as the problems they encounter. They also learn the value of time management, as they face hard deadlines.

Discussion topics include outlining the podcast, adjusting the story based on the actual interviews. Each podcast will be listened to, and then discussed and critiqued by the instructors and the class. The course will cover basic introductions to modeling, texturing, rigging, lighting, rendering, compositing, and VFX.

This survey course offers a window into the art of animation, giving the student a hands-on perspective of all its possibilities and a glimpse at some emerging technologies.

It introduces the student to the entirety of the 3D animation pipeline through a survey of each of the core disciplines. By the end of this course students will produce a short 30 second original project from start to using each of the disciplines mimicking a professional pipeline. The student will be introduced to the core disciplines of a 3D Visual Effects Pipeline. By the end of this course students will produce their own short VFX shot building CG assets on top of existing footage.

Visual Effects VFX Visual Effects is a deeper dive into the core skills that visual effects artists need in their tool kit. Students will learn how to approach a VFX shot and determine what tools are appropriate for what circumstances.

These skills include: compositing, tracking match moving , rotoscoping, chroma keying, keyframing, expressions, renderings, 3D Integration and effects. Workshop Description The two principal areas of concentration in this intensive program are Acting for Film and Scene Study.

These areas coincide in the creation of short, filmed scenes in which students act. The edited scenes are the main projects of the workshop. While Acting for Film classes aim specifically at giving students the tools an actor uses on a film set. Courses encourage students to break down physical and internal inhibitions, and help each student find the most effective personal sources for the creation of truthful characters.

Students should be prepared to perform in non-traditional acting classes that emphasize the construction and control of character. The program is constructed to deliver a great deal of content in a short time, and is an exceptional opportunity for a total immersion experience in fifteen weeks.

Classes will meet twice a week and students will need to do some preparation outside of class. No significant prior experience or knowledge is assumed. The program brings everyone to the same level very quickly, beginning with the fundamentals while also filling the inevitable gaps in the understanding of those with prior experience. Students are assigned scenes from produced screenplays and plays, which are then filmed via the online platform with instructor guidance.

Additionally, there will be discussions about filmcraft, the business of acting and auditioning. Acting Techniques and Scene Study This course builds a foundation of acting through the execution of a written scene. By working on sections of plays and screenplays, actors learn the basic concepts of scene study: defining objectives; breaking the scene down into beats; understanding the arc; pursuing the objective; playing actions; and working to overcome obstacles.

Voice and movement exercises will also be explored so that students can work toward an expressive and free voice and body.

Each student will gain insight into how to effectively free their instrument, providing the necessary tools to bring dimension to all roles. The role of agents and managers, basic contracts, and current business practices will be discussed, as well as strategies for targeting representation, and other self-marketing opportunities. Program and Software requirements: Students will be required to submit self-taped auditions and must have appropriate equipment to tape and share video submissions.

Smart Phone with a camera Laptop or desktop computer with minimum specs for simple editing There are no prerequisites for this Workshop. What are the tools for a professional acting career? Union vs.

Students will learn how to choose and workshop monologues, how to write, shoot and produce their own original material, discover how to breakdown and prepare a script, watch and discuss great performances from some of the best talent in the industry, and prepare for the business by learning how to self-tape and submit for auditions. This unique experience is a wonderful way to study at the New York Film Academy with people from all over the world, with the convenience of an online platform.

Final Deliverables: Two self-written and produced original shorts, Two monologues that are audition ready, several practice self-tape auditions and practical experience in interviewing and auditions. Short Description of Each Class: Text in Action This course teaches core skills necessary for maintaining the integrity of a performance. Text in Action focuses on the analysis and mapping skills required while shooting out of sequence.

Students examine contemporary playwrights and screenwriters, examining plot structure and extracting given circumstances, and learn to utilize these fundamental tools for rehearsal and performance. Voice and Speech In this course students will begin to hone a vocal technique that is open, free, flexible, lively, and possessing an extensive and colorful range.

Monologue In this 4-week intensive course, you will learn how to choose a monologue that showcases your individual type, playing to your unique strengths as an actor. You will learn how to shape and craft the monologue by choosing specific objectives, actions and personalized points of view, to ultimately create a monologue that can be used for auditions and showcases alike.

Audition Technique This class focuses on the fundamentals of crafting material for on camera TV and Film auditions, so that you can create unique, compelling auditions that showcase your strengths as an actor. You will also learn what to expect in a professional audition setting, and how to successfully master self tape auditions. New Media This course explores burgeoning forms of new media including: web series, creating online media content, and sketch production. Students explore what it means to produce their own work with materials that are available to them at low or no cost.

The class will culminate in a sharing of self-written and produced short videos. Performance Analysis Students will view and participate in discussion of pivotal film performances and develop an appreciation and technical understanding of the methods, choices and effects of various styles of acting.

Structure of the Program: Sessions: Two 2-hour classes each day.

 
 

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